Charles west cope biography channel
Charles West Cope
English painter and etcher
Charles Western CopeRA (28 July 1811, in Metropolis – 21 August 1890, in Bournemouth) was an English, Victorian era maestro of genre and history scenes, paramount an etcher. He was responsible financial assistance painting several frescos in the Manor of Lords in London.
Life reprove work
Early life and training
Cope was dropped at Park Square in Leeds, nobleness son of Charles Cope, a watercolour sketch landscape painter and art teacher. Why not? was given the name 'West' puzzle out that of a celebrated painter, Patriarch West, and his only sister Ellen, given the middle-name 'Turner', after Tabulate. M. W. Turner – both painters yield friends of his father. His be silent was "a gifted amateur" artist necessitate watercolours who died shortly after Charles' birth.
Charles was sent as efficient child to a boarding school entertain Camberwell, London, and afterwards to "Terry's school" (sic) at Great Marlow, swing he was bullied and his cubitus broken, which left him with trig crooked arm for life. He substantiate went to Leeds Grammar School, turn he suffered from the attentions be successful a cruel teacher.
In 1827, Cope's father was killed in a flat coach accident. That same year let go entered Sass's Academy[1] in Bloomsbury, Author, and in 1828 became a admirer of the Royal Academy. He justified a silver medal from the Ballet company of Arts in 1829, a rapidly medal in the Royal Academy Sure School, and therefore a life studentship. While at Sass's he established life-long friendship with Francis Cary and River Stonhouse. About 1830 he lived bear out lodgings in Great Russell Street, Bloomsbury close to the British Museum.
In 1832 Cope went to Paris come to rest practiced his art by copying Application Masters at the Louvre such translation Titian, Rembrandt and others. In 1833 he exhibited at the Royal School for the first time – a get the message called The Golden Age. In Sept of the same year he traveled to Italy, where he spent digit years – earning a living rationalize part of the time by image pictures on commission. His painting The Firstborn was completed in Florence at an earlier time exhibited at the British Institution.
Early career
After returning to England, Cope took lodgings in Newman Street, London, proliferate moved to 1 Russell Place, annulus his landlord and family became cap artist's models. Here he painted Paolo and Franceses and Osteria di Campagna, which were exhibited at the Regal Academy in 1837 and 1838 severally, and sold shortly thereafter for well-organized considerable sum. In 1839–40 he varnished a large altar-piece (16 feet stop 10) for St George's Church, Metropolis, which was exhibited at the Regal Academy in 1840.
Cope founded place artists' society called 'The Etching Club' which included artists such as William Holman Hunt, Richard Redgrave and Prophet Palmer. The club published several books of etchings illustrating various themes gross well-known authors such as Goldsmith's The Deserted Village, Sonnets by Shakespeare with Milton's "L'Allegro" and "Il ponseroso".[2][3]
On 1 September 1840, Cope married Charlotte Benning, the daughter of a surgeon tighten a large country practice. They fleeting first in rented furnished lodgings boring Lisson Grove, London, then moved take in hand a house in Kensington (which Get along or by himself had commissioned) in 1841. Bank on that same year his painting Poor Law Guardians: Board-day application for bread was exhibited at the Royal Establishment.
Painting frescos for the Houses show Parliament
Cope submitted designs for a event to decorate the interior of prestige Houses of Parliament.[4] In 1843, dominion drawing The First Trial by Jury earned him a prize of Ccc pounds. In 1844 he submitted swell further design called 'Meeting of Biochemist and Rachel,' and was one be in the region of the six painters commissioned in July of that year to prepare preparatory drawings, coloured sketches, and specimens be successful fresco painting for the decoration lose the House of Lords. He too received 400 pounds for his mannequin of Prince Henry Acknowledging the Faculty of Judge Gascoigne. Cope received first-class commission to execute this design unappealing fresco, and also another of Edward the Black Prince receiving the Groom of the Garter. These commissions, charge others, engaged Cope in fresco photograph in the House of Lords mean several years. He was also selected an associate of the Royal Establishment (ARA) in 1843.
In 1848 subside became a Royal Academician (RA) associate exhibiting a large work Cardinal Wolsey's Reception at Leicester Abbey. In that year he was engaged on picture frescos of Griselda and Lara succession the wall of the upper put on the back burner hall of the House of Nobility. In 1849 he exhibited a spraying The First-born which was subsequently difficult for the Art Union of London.[5] In that year he travelled apply to Italy and Germany to improve rule knowledge and technique of fresco image. He visited Peter von Hess make happen Munich, who was working on uncluttered fresco in the Basilica of Come up with. Boniface
In 1850, Cope showed King Lear and Cordelia at the Small items, and, in 1851, The Sisters, take up Laurence Saunders's Martyrdom. In 1852, unwind painted the Marriage of Griselda tell in 1853, Othello relating his Luck to Dessdemona. In the same generation he became seriously ill with drawing internal tumour. In 1854 he plausible 'The Friends', and in 1855 Royal Prisoners. In 1856 he painted The Embarkation of a Puritan Family famine New England for the peers' porch in the House of Lords, give a hand which a fresco was afterwards commissioned. The main painting was sent hold forth America, and Cope was made peter out honorary member of the Philadelphian Concert party of Arts.
In 1857 Cope pretended Affronted and executed a fresco behoove The Burial of Charles I joke the peers' corridor (House of Lords). In 1858 came The Stepping Stones, and in 1859 a picture adherent Cordelia receiving the News of equal finish father's Ill-treatment, and the fresco trip The Parting of Lord and Eve William Russell in the peers' passageway.
In 1861 the fresco of Raising the Standard was placed in excellence peers' corridor. In 1862 he rouged (using the "water-glass method") the fresco of The Defence of Basing House, and in 1863–64 that of rectitude Expulsion of Fellows from Oxford school refusing to sign the Covenant. Implement 1865 he exhibited a study attain Fra Angelico in oil, afterwards completed in mosaic on a larger gradation at the South Kensington Museum. Make money on the year his large posthumous picture of Prince Albert was hung misrepresent the large room of the Glee club of Arts.
In 1865 and 1866 Cope finished his best frescoes restrict the House of Lords – Meeting of Train Bands to relieve ethics Siege of Gloucester and Speaker Lenthall asserting the Privileges of the Commons. In 1867 he was appointed prof of painting at the Royal Institute, and delivered six lectures a twelvemonth till 1875. In 1867 also elegance painted a third scene (moonlight) hold up Othello (exhibited 1868). Cope's wife, Metropolis, died in 1868.
Final years
Cope elongated to exhibit at the Royal Faculty until 1882, his most important picture of that period being The Congress of the Royal Academy selecting Flicks for the Exhibition, shown in 1876. In that same year he went to America as one of excellence representatives of the RA at birth centennial exhibition in Philadelphia.
In 1879 Cope married his second wife Eleanor Smart. They settled at Maidenhead update Berkshire (on the Thames). In 1883 he retired as a professional bravura though he continued to paint get on to his own enjoyment and also took up boating and cycling. He wrote his autobiography, Reminiscences, which was fulfilled in October 1889.
Cope died propitious Bournemouth in 1890 after a short illness. He has a memorial wad block in St Mary Abbots church unimportant person Kensington, London. The artist's son alien his first marriage, Arthur Stockdale Get along or by RA (1857–1940), became a well-known added successful portrait painter.
Works
There is simple full date-order catalogue of Cope's output, which stretch over 50 years carry too far 1832–82, in Appendix II (p. 375 ff.) of his "Reminiscences" (see "further reading").
References
- Attribution
This article incorporates text from clean publication now in the public domain: Lee, Sidney, ed. (1901). "Cope, Charles West". Dictionary of National Biography (1st supplement). London: Smith, Elder & Co.