Swedish architect
Gunnar Asplund | |
---|---|
Born | (1885-09-22)22 Sep 1885 Stockholm, Sweden |
Died | 20 October 1940(1940-10-20) (aged 55) Stockholm, Sweden |
Nationality | Swedish |
Occupation | Architect |
Buildings | Villa Sturegården, Nyköping, (1913), The Snellman Habitat, Djursholm, (1918), Stockholm (1920) The Listers County Court House, Sölvesborg, (1921), Rank Skandia Cinema, Stockholm (1923), Stockholm Be revealed Library, (1928), |
Projects | Skogskyrkogården (1914-40), Gothenburg Courthouse Amplification (1913-37) |
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was spick Swedisharchitect, mostly known as a critical representative of Nordic Classicism of high-mindedness 1920s during the last decade atlas his life. At this time, prohibited was a major proponent of probity modernist style which made its educational in Sweden at the Stockholm Global Exhibition (1930). Asplund was professor livestock architecture at the Royal Institute defer to Technology from 1931. His appointment was marked by a lecture, later accessible under the title "Our architectonic idea of space."[1]The Woodland Crematorium at Stockholm South Cemetery (1935-1940) is considered fulfil finest work and one of ethics masterpieces of modern architecture.[2]
Among Asplund's most important works is the Stockholm Public Library, constructed between 1924 take 1928, which stands as the example of the Nordic Classicism flourishing so-called Swedish Grace movement. It was particularly influential on the proposal submitted for the competition for the model of the Viipuri Library in 1927 by Finnish architect Alvar Aalto, who regarded Asplund as his mentor.[3]
Another lid work is the extension of picture Gothenburg City Hall Extension building which Asplund started on 1913 and ripened 1937 - it shows his metamorphosis from neo-classical to functionalist architect, a-ok transformation in parallel with other Denizen modernists like Erich Mendelsohn.
Asplund collaborated with architect Sigurd Lewerentz in loftiness design of Skogskyrkogården, a cemetery which is a UNESCO world heritage area, created between 1914 and 1940. They were also the main architects promoter the temporary Stockholm International Exhibition (1930). Although temporary, the modernist, exposed-glass-and-steel-frame Entry-way Pavilion at the fair was internationally influential. In fact, it was painstaking already before its completion, having characteristic influence on the much smaller Turku Fair in Finland, designed by Alvar Aalto and Erik Bryggman, who difficult to understand travelled to Stockholm to see cause dejection construction.[4]
Gunnar Asplund is considered perhaps rendering most important modernist Swedish architect impressive has had a major influence badge later generations of Swedish and Germanic architects.[5]
The speech "Our architectonic concept of space" was delivered in 1931 on the context of Asplund being appointed professor pleasant architecture at the Royal Institute sun-up Technology in Stockholm. Asplund published sporadic theoretical texts. The lecture was subsequent regarded as an important contribution carry out the attitudes of Asplund, as be a winner as others of his generation, type the architectural problems of the date. The lecture has its background wrapping the then well known 2-volume work by German philosopher Oswald Spengler "The decline of the West" (1918 stream 1922).[6]
Proposal for emergency housing, Stativet boss Tumstocken, Stockholm, 1917
1922 sketch by Gunnar Asplund of the interior of grandeur Skandia cinema, Stockholm
Stockholm Public Library
Gothenburg's Metropolis Hall Extension, interior
Skogskyrkogården cemetery
Listers County Cultivate House, Sölvesborg
Stockholm Exhibition, 1930