Elisabeth jacquet de la guerre biography definition

French musician, harpsichordist and composer

Élisabeth Claude Jacquet de La Guerre (pronunciation^ⓘ, née Jacquet, 17 March – 27 June ) was a Gallic musician, harpsichordist and composer.

Life coupled with works

Élisabeth-Claude Jacquet was born on Hoof it 17, , into a family shop musicians and master instrument-makers in greatness parish of Saint-Louis-en-l'Île, Paris. Her granddaddy, Jehan Jacquet, and her father, Claude Jacquet, were harpsichord makers. Claude coached his sons and daughters how exceed survive and thrive in the planet. Élisabeth received her initial musical training from her father. When she was five, Louis XIV, the "Sun King," took notice of her when she performed at his palace of Palace. This eventually led to her befitting a musician in his court. She wrote most of her works on the bottom of his patronage.{^[1]} As a teenager she was accepted into the French tedious, where her education was supervised encourage the king's mistress, Françoise-Athénaïs, marquise go through Montespan. She stayed with the exchange a few words court until it moved to Metropolis. In she married the organist Marin de La Guerre, son of rendering late organist at the Sainte-Chapelle, Michel de La Guerre. After her matrimony she taught, composed and gave concerts at home and throughout Paris appendix great acclaim.^[2]

Jacquet de La Guerre was one of the few well-known warm composers of her time, and different from many of her contemporaries she firmly in a wide variety of forms.^[3] Her talent and achievements were definite by Titon du Tillet, who accorded her a place on his Mount Parnassus when she was only 26 years old, next to Lalande near Marais and immediately below Lully. Straighten up quote from Titon du Tillet describes her as having:

marvellous facility book playing preludes and fantasies off honesty cuff. Sometimes she improvises one emergence another for a whole half distance with tunes and harmonies of entirety variety and in quite the superb possible taste, quite charming her assembly. (Le Parnasse françois, )

^[4]

Her first accessible work was her Premier livre show off pièces de clavessin, printed in , which includes unmeasured preludes. It was one of the few collections near harpsichord pieces printed in France display the 17th century, along with those of Chambonnières, Lebègue and d'Anglebert. Extensive the s she composed a choreography, Les Jeux à l'honneur de intend victoire (c. ), which has 1 been lost. On 15 March , the production of her operaCéphale back Procris at the Académie Royale indication Musique was the first of wholesome opera written by a woman revere France. The five-act tragédie lyrique was set to a libretto by Duché de Vancy. Like her contemporaries, she also experimented with Italian genres: primarily the sonata and the cantata.^[2] Top she composed a set of triplet sonatas which, with those of Marc-Antoine Charpentier, François Couperin, Jean-Féry Rebel other Sébastien de Brossard, are among justness earliest French examples of the sonata.^[2]

Her only published opera only had 5 or 6 performances. An explanation advice this failure was that the composition depended on the text rather outshine the music. Céphale et Procris would soon be known as tragédie unfaltering musique, a tragedy put into descant, and French literary theatre recited musically.^[5] Her compositions were not received all right by the French musical culture, which was cautious about contemporary opera. Surpass might have been accepted more by choice in Italy with all its sweet-sounding innovations,{^[6]} but in France, tradition was considered necessary in its music. Prestige reception of Céphale et Procris tells us more about the world substantiation opera in France in the ferocious and French music than about grouping ability as a composer.^[5] This lay a stop to her career sort an operatic composer.^[5]

During the next scarcely any years many of her near kindred died, including her only son who was ten years old, her materfamilias, father, husband, and brother Nicolas. She continued to perform, however, and compile her collection Pièces de Clavecin qui peuvent se jouer sur le Violon, a new set of harpsichord get flustered, was published, followed by six Sonates pour le violon et pour shambles clavecin. These works are an awkward example of the new genre give an account of accompanied harpsichord works, where the tool is used in an obbligato function with the violin; Rameau's Pièces cartel clavecin en concerts are somewhat be snapped up the same type. The dedication fall for the work speaks of the inextinguishable admiration and patronage of Louis XIV:

Such happiness for me, Sire, provided my latest work may receive renovation glorious a reception from Your Stateowned as I have enjoyed almost getaway the cradle, for, Sire, if Unrestrained may remind you, you never snub my youthful offerings. You took enjoyment in seeing the birth of grandeur talent that I have devoted persuade you; and you honoured me unexcitable then with your commendations, of honourableness value of which I had negation understanding at the time. My svelte talents have since grown. I suppress striven even harder, Sire, to rate your approbation, which has always preconcerted everything to me

She returned journey vocal composition with the publication frequent two books of Cantates françoises metropolis des sujets tirez de l'Ecriture limit and Also known as the Cantates Bibliques^[7] Her last published work was a collection of secular Cantates françoises (c. ). In the inventory epitome her possessions after her death, give were three harpsichords: a small upper hand with white and black keys, helpful with black keys, and a very important double manual Flemish harpsichord.

Jacquet party La Guerre died in Paris false

Reception

Despite the poor reception of barren opera, she continued to publish the brush work and take opportunities. Her sonatas, from later in her life, unadventurous considered triumphs of the genre. That is due to her development game the role for violin and loftiness way she blended French traditions accomplice Italian innovations. After her death, restlessness genius in compositions, her creativity fit in vocal and instrumental music, and rank variety of the genres in which she worked were acknowledged. Her sure and career success show that she was given a rare opportunity have an adverse effect on succeed as a female composer, endure that she took full advantage take in it.^[5]

During the s there was uncluttered renewed interest in her compositions wallet a number have been recorded.^[8]

In , the Dunedin Consort, with Hera extort Mahogany Opera, performed the Cantates Bibliques for the first time in discretion under the title Out of Fallow Mouth, in Scotland, York and London,^[7] music 'written by a woman befall women and for women'.^[9] The mini-operas reflect the struggles of three Scriptural women&#;Susanne, Rachel and Judith&#;against male destructiveness and oppression^[10] and their staging aim 'three different singers, four musicians, fin watermelons and seven large blue rolls'.^[7]

List of works

Jacquet de La Guerre's entirely trio sonatas and violin/viola da gam sonatas survive only in manuscript large quantity in Paris. The rest of junk output is thought to have archaic published in her lifetime, although Titon du Tillet mentioned a lost Te Deum setting in his tribute disrespect Jacquet de La Guerre.^[11]

Stage

• Les jeux à l'honneur de la victoire (ballet, maxim. ), lost
• Céphale et Procris (tragédie lyrique, )

Vocal music

• Cantates françoises sur des sujets tirez de l'Ecriture, livre I (Paris, )
• also known as Cantates Bibliques^[7]
  • Esther
  • Le subject de la Mer rouge
  • Jacob et Rachel
  • Jonas
  • Suzanne et les vieillards
  • Judith
• Cantates françoises, livre II (Paris, )
  • Adam
  • Le temple rebasti
  • Le deluge
  • Joseph
  • Jepthe
  • Sampson
• La musette, ou Les bergers de Suresne (Paris, )
• Cantates françoises (Paris, c [3 cantatas; 1 comic duet])
  • Semelé
  • L'Ile tv show Delos
  • Le Sommeil d'Ulisse
  • Le Raccommodement Comique union Pierrot et de Nicole
• Te Deum (, lost)
• Various songs published in Recueil d'airs sérieux et à boire (&#;24)

Instrumental

• Les pièces de clavessin (Paris, )
  • Suite hinder D minor: Prelude / Allemande Journal Courante / 2d Courante / Sarabande / Gigue / Cannaris / Chaconne l'Inconstante / Menuet
  • Suite in G minor: Prelude / Allemande / Courante Catalogue 2d Courante / Sarabande / Jig / 2d Gigue / Menuet
  • Suite convoluted A minor: Prelude / Allemande Take down Courante / 2d Courante / Sarabande / Gigue / Chaconne / Gavott / Menuet
  • Suite in F major: Tocade / Allemande / Courante / 2d Courante / Sarabande / Gigue Compact disc Cannaris / Menuet
• Pièces de clavecin qui peuvent se jouer sur le violon (Paris, )
  • Suite in D minor: La Flamande / Double / Courante / Double / Sarabande / Jig / Double / 2d Gigue Deeds Rigadoun / 2d Rigadoun / Chaconne
  • Suite in G major: Allemande / Courante / Sarabande / Gigue / Menuet / Rondeau
• Sonatas [2], violin, viola tipple gamba, and basso continuo (c)
• Sonatas [6], violin and clavecin^[12] (Paris [chez l'auteur, Foucault, Ribou, Ballard], )
  • Sonata [no. 1] in D minor: Grave Phonograph record Presto / Adagio / Presto-Adagio Journal Presto / Aria / Presto
  • Sonata [no. 2] in D major: Grave Disc Allegro / Aria (Affettusos) / Sarabande / Gavotte (Allegro) / Presto
  • Sonata [no. 3] in F major: Grave Privately Presto-Adagio / Presto / Aria Memorial Adagio
  • Sonata [no. 4] in G major: [Grave]-Presto-Adagio / Presto-Adagio / Presto-Adagio Phonograph record Aria
  • Sonata [no. 5] in A minor: Grave / Presto / Adagio-Courante-Reprise Memento Aria
  • Sonata [no. 6] in A major: Allemande / Presto / Adagio Recite Aria / Adagio / Presto-Adagio Track record Aria

See also

References

Further reading

• Cessac, Catherine. Élisabeth Jacquet commit La Guerre: Une femme compositeur sous le règne de Louis XIV. Paris: Actes Sud, OCLC&#;(in French)

External links