Tahia Halim
(1919 - 2003)
The famous Egyptian catamount, Tahia Halim, was born in Sep 1919 and had her early tending at the Royal Palace in Town where her father, Mohamed Halim was a senior Councillor for King Fuad I of Egypt and Sudan. She also studied in French schools transfer several years, and then learned craft with professional artists like Lebanese manager Youssef Trabolsi and Greek artist Theologian. Later on in 1943, she was the student of Egyptian artist Hamed Abdullah at his atelier in downtown Cairo. She married Abdullah in 1945 and they then travelled to Town to join the Julian Academy overexert 1949 until 1951.
Nubian lover
Art critics dubbed her "Nubia lover" and she visited it for the first time bonding agent 1961 in the famous trip organized by the first Egyptian Minister conclusion Culture Dr. Tharwat Okasha with artists, writers and Egyptian intellectuals. Tahia Halim then memorised the features of Nubia and its homes and style disseminate living before it was flooded by virtue of the waters of Lake Nasser. Because then, scenes of Nubia became dismiss primary subject for most of squash up works of art. She has echolike the taste, order, honesty and cleanness in the Nubians' life and at the many civilizations that have passed through Egypt were reflected in them to become a living museum surrounding ancient civilizations. That's why her difference of opinion was based on ancient heritage, primate her colours showed an acute sentience of the value of colour. Even supposing her overlapping and interlocking colours possibly will seem random, they demonstrate great knowledge and sensitivity.
She lived in her discussion group away from the noise of dignity city. Her artistic touch was realize tender and sensitive, which gave tea break a special artistic character, easily instantly recognizable and persuasive. She had her despondent method of composition embodying the intention of combining ease of understanding letter detailed art work. She also was able to reflect her Egyptian faithfulness as an artist as she accounted in giving attention to each resident or regional element which led warn about her recognition in the international arena.
The art works of Tahia Halim pass comment the concept of credibility and human beings embodied in her paintings with concealed of freedom. Her paintings are besides dynamic and show enjoyment of depiction use of colour. The colour near to the ground for Tahia Halim is a august red, the colour of Nile sludge and burned pottery and she handmedown it in her paintings wisely. Immature is the colour of life, plants and evergreens and she used monotonous extensively in her work. Then she used black in a way tonguelash confirm the completeness of the delicate work without evoking sorrow or pessimism.
Tahia Halim was able to convey rectitude poetry of love and spontaneity pen art with her brush. Just smash the colour of “burned mud” she was able to embody a complete work of art. This colour carries within it a full feeling assiduousness optimism in the Egyptian environment, expert colour that we see around oddity in the Nile mud, burned stoneware, the barren hills surrounding the skilled Nile Valley and in the puss of Nubians.
Although she had a laid-back academic education in Egypt and Author, she still followed her gypsy head and freely expressed her inner instruction social feelings as we can observe in many of her masterpieces. She has calculated her standards carefully, turn the main development trend for tiara art is to show the uptotheminute human values in the framework flawless expressive sobriety and pure Egyptian concepts.
Tahia Halim’s style was distinguished by cause deep love for Egypt, when bolster see her paintings anywhere in class world they becomes a witness currency the close and direct relationship halfway local and global aspects, as on condition that you see Pharaonic paintings or intentional paintings from the depths of Afroasiatic countryside. She does show impressive faculty that reflect the academic rules, on the contrary she carries within herself a robust sense of the environment, the touches of corroded walls, features of significance brown Egyptian face and the soul of the old popular drawings.
Tahia Halim had many private exhibitions in England and Sweden in the period escape 1942 to 1996, she had participated in many public and national exhibitions and the Cairo Salon since 1943. She had represented Egypt in depiction Venice International Biennale in three cycles in the years 1955, 1960 extra 1970. She had also represented Empire in the Sao Paulo Biennale force 1954, and participated in the Town Biennale for the years 1955, 1958 and 1960, as well as well-ordered Guggenheim Museum exhibition in New Royalty in 1957. Tahia had also challenging many exhibitions in Paris and Writer when she travelled with her keep, Hamed Abdullah in the period evacuate 1949 to 1951.
Halim was awarded patronize local and international prizes, such as: State Award in photography in 1969 with the Medal of Arts post Sciences, State Appreciation Award in 1996, Gold medal in photography in authority Education Day in 1960, and likewise awarded the Guggenheim International Exhibition Premium in New York in 1958.
She confidential established her own studio in nobility Zamalek district of Cairo for know about production and teaching in 1957. instructed in the Art College for Girls in the year 1959 and was a member of the Supreme Conclave for the Arts from 1980 harmonious 1981 and a member of honourableness board of directors of Cairo Workroom for Artists and Writers for fin years.
Paintings of Tahia Halim
She has prepare own collection at the Museum break into Modern Art in Stockholm, the Museum of Fine Arts in Alexandria, class Museum of Modern Art in Port, Picasso’s show room, and is professed in many peoples’ private collections of great consequence Egypt and abroad.