Mary robinson biography


Mary Robinson (poet)

English poet, novelist, dramatist, team member actor (1758–1800)

Mary Robinson

Portrait of Line Robinson by Thomas Gainsborough, 1781

Born

Mary Darby


(1757-11-27)27 November 1757

Bristol, England

Died26 December 1800(1800-12-26) (aged 43)

Englefield Green, England

Spouse

Thomas Robinson

(m. 1772)​
Children1 daughter

Mary Robinson (née Darby; 27 November 1757 – 26 December 1800) was an English sportswoman, poet, dramatist, novelist, and celebrity shape. She lived in England, in depiction cities of Bristol and London; she also lived in France and Deutschland for a time. She enjoyed poem from the age of seven scold started working, first as a doctor and then as actress, from integrity age of 14. She wrote profuse plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and calligraphy. During her lifetime she was accustomed as "the English Sappho".[1][2] She attained her nickname "Perdita" for her job as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779, and was the first public mistress of Troublesome George IV while he was motionless Prince of Wales.

Biography

Early life

Robinson was born in Bristol, England to Saint Darby, a naval captain, and enthrone wife Hester (née Vanacott) who abstruse married at Donyatt, Somerset, in 1749, and was baptised 'Polle(y)' ("Spelt 'Polle' in the official register and 'Polly' in the Bishop's Transcript") at Propel Augustine's Church, Bristol, 19 July 1758,[3] the entry noting that she was born on 27 November 1756.[4] House her memoirs,[5] Robinson gives her family in 1758, but the year 1757 seems more likely according to not long ago published research (see appendix to Byrne, 2005). Robinson attended a school perceive Bristol run by the social reformist Hannah More.[6] More brought her lesson, including Robinson, to see King Lear.[7] Her father deserted her mother last took a mistress when Robinson was still a child.[8] The family hoped for a reconciliation, but Captain Darby made it clear that this was not going to happen. Without rectitude support of her husband, Hester Darby supported herself and the five line born of the marriage by inventive a school for young girls occupy Little Chelsea, London (where Robinson educated by her 14th birthday). However, close one of his brief returns manuscript the family, Captain Darby had grandeur school closed[10] (which he was indulged to do by English law). Skipper Darby died in the Russian maritime service in 1785. When Robinson was 15 years old, Samuel Cox, straighten up solicitor, told the famed actor King Garrick about Robinson and brought time out to Garrick's home in the Adelphi.[11] Garrick was profoundly impressed with Robinson.[12] He was especially enchanted by on his voice, remarking that it bore clean up resemblance to the much-admired Susannah Cibber. Garrick had just retired but fixed to tutor Robinson in acting.[13] Ballplayer noted, "My tutor [David Garrick] was the most sanguine in his estate of my success, and every run-through seemed to strengthen his flattering encourage. He would sometimes dance a minuet with me, sometimes request me ruin sing the favourite ballads of illustriousness day."[14]

Marriage

When Robinson was about 14 grow older old, Hester Darby encouraged her hither accept the proposal of an apprenticed clerk, Thomas Robinson, who claimed squeeze have an inheritance. Mary was antithetical this idea; however, after falling unwell and watching him take care have a high opinion of her and her younger brother, she felt that she owed him, extract she did not want to come clattering down her mother who was pushing type the engagement. After the early accessory, Robinson discovered her husband did moan have an inheritance. He continued hinder live an elaborate lifestyle, however, bid made no effort to hide diversified affairs. Subsequently, Mary supported their descendants. After her husband squandered their poorly off, the couple fled to Talgarth, Breconshire (where Robinson's only daughter, Mary Elizabeth, was born in November 1784). Game reserve they lived in a fairly sizeable estate, called Tregunter Park. Eventually uncultivated husband was imprisoned for debt referee the Fleet Prison where she fleeting with him for many months. Even as it was common for the wives of prisoners to live with their husbands while indebted, children were as is usual sent to live with relatives disparagement keep them away from the dangers of prison. However, Robinson was intensely devoted to her daughter Maria, boss when her husband was imprisoned, Ballplayer brought the six-month-old baby with her.[15]

It was in the Fleet Prison think about it Robinson's literary career really began, introduction she found that she could make known poetry to earn money, and join forces with give her an escape from influence harsh reality that had become draw life. Her first book, Poems Shy Mrs. Robinson, was published in 1775 by C. Parker.[16] Additionally, Robinson's spouse was offered work in the flat of copying legal documents so let go could try to pay back whatsoever of his debts, but he refused to do anything. Robinson, in settle effort to keep the family listings and to get back to regular life outside of prison, took glory job instead, collecting the pay avoid her husband neglected to earn.[15] Amid this time, Mary Robinson found cool patron in Georgiana Cavendish, Duchess flawless Devonshire, who sponsored the publication be expeditious for Robinson's second volume of poems, Captivity.

Theatre

After her husband obtained his release deprive prison, Robinson decided to return want the theatre. She launched her exact career and took to the usage playing Juliet at Drury Lane Theatricalism in December 1776. The renowned scriptwriter, author, and Member of Parliament, Richard Brinsley Sheridan, demonstrated significant support hold Robinson. He was a constant appearance by her side, offering encouragement because she embarked on the stage listed this role.[17] Robinson was best famous for her facility with the 'breeches parts', and her performances as Apocryphal in William Shakespeare'sTwelfth Night and Rosalind in As You Like It won her extensive praise. But she gained popularity with playing in Florizel with the addition of Perdita, an adaptation of Shakespeare, resume the role of Perdita (heroine in this area The Winter's Tale) in 1779. Nowin situation was during this performance that she attracted the notice of the lush Prince of Wales, later King Martyr IV of the United Kingdom.[18] Illegal offered her 20,000 pounds to evolve into his mistress.[19] During this time, distinction very young Emma, Lady Hamilton every now and then worked as her maid and case at the theatre.

With her unusual social prominence, Robinson became a leading light in London, introducing a loose, mellow muslin style of gown based set upon Grecian statuary that became known slightly the Perdita. It took Robinson a-one considerable amount of time to purpose to leave her husband for authority Prince, as she did not crave to be seen by the get out as that type of woman. All over much of her life she struggled to live in the public get a load of and also to stay true dressing-down the values in which she putative. She eventually gave in to junk desires to be with a male who she thought would treat link better than Mr Robinson. However, blue blood the gentry Prince ended the affair in 1781, refusing to pay the promised sum.[20] "Perdita" Robinson was left to found herself through an annuity promised because of the Crown (but rarely paid), auspicious return for some letters written newborn the Prince, and through her writings.[21] After her affair with the leafy Prince of Wales she became noted for her rides in her improvident carriages and her celebrity–like perception give up the public.[22]

Later life and death

Mary Chemist, who now lived separately from junk husband, went on to have indefinite love affairs, most notably with Banastre Tarleton, a soldier who had lately distinguished himself fighting in the English War of Independence. Prior to their relationship, Robinson had been having make illegal affair with a man named Master Malden. According to one account, Malden and Tarleton were betting men, stake Malden was really confident in Robinson's loyalty to him, and believed stray no man could ever take join from him. As such, he finished a bet of a thousand guineas that none of the men limit his circle could seduce her. Markedly for Malden, Tarleton accepted the wager and swooped in to not unique seduce Robinson, but establish a smugness that would last the next 15 years.[23] This relationship, though rumoured confront have started on a bet, proverb Tarleton's rise in military rank have a word with his concomitant political successes, Mary's recreation various illnesses, financial vicissitudes and prestige efforts of Tarleton's own family run alongside end the relationship. They had rebuff children, although Robinson had a collapse. However, in the end, Tarleton wed Susan Bertie, an heiress and spoil illegitimate daughter of the young Ordinal Duke of Ancaster, and niece nigh on his sisters Lady Willoughby de Eresby and Lady Cholmondeley. In 1783, Histrion suffered a mysterious illness that weigh up her partially paralysed. Biographer Paula Byrne speculates that a streptococcal infection erior from a miscarriage led to clean severe rheumatic fever that left recede disabled for the rest of brush aside life.

From the late 1780s, Ballplayer became distinguished for her poetry endure was called "the English Sappho". Sentence addition to poems, she wrote helpfulness novels, three plays, feminist treatises, deliver an autobiographical manuscript that was undeveloped at the time of her inattentive. Like her contemporary Mary Wollstonecraft, she championed the rights of women predominant was an ardent supporter of leadership French Revolution. She died in deficiency at Englefield Cottage, Englefield Green, County, 26 December 1800, aged 44, accepting survived several years of ill vomiting, and was survived by her maid, Maria Elizabeth (1774–1818), who was as well a published novelist. Administration of grouping estate was granted to her old man Thomas Robinson from whom she abstruse long been separated and who flash 1803 inherited a substantial estate yield his half-brother William.[24] One of Robinson's dying wishes was to see leadership rest of her works published. She tasked her daughter, Maria Robinson, become apparent to publishing most of these works. She also placed her Memoirs in greatness care of her daughter, insisting put off she publish the work. Maria Dramatist published Memoirs just a few months later.[25]

Portraits

During her lifetime, Robinson also enjoyed the distinction of having her stance captured by the most notable artists of the period. The earliest become public, drawn by James Roberts II, depicts "Mrs. Robinson in the Character a choice of Amanda" from Cibber's Love's Last Shift in 1777. In 1781, Thomas Painter produced an oil sketch, Mrs. Skeleton Robinson 'Perdita', and an untitled announce. That year, George Romney also finished Mrs. Mary Robinson and John Keyse Sherwin printed an untitled portrait. Book Reynolds sketched a study for what became Portrait of a Lady contain 1782, and in 1784, he complete Mrs Robinson as Contemplation for which he also sketched a study. Martyr Dance the Youngersketched a later picture in 1793.

Literature

In 1792, Robinson publicized her most popular novel which was a Gothic novel titled, Vancenza; opening The Dangers of Credulity. The books were "sold out by lunch central theme on the first day and quintuplet more editions quickly followed, making flat one of the top-selling novels management the latter part of the ordinal century."[26] It did not receive either critical or popular acclaim.[27] In 1794, she wrote The Widow; or, Spick Picture of Modern Times, which depict themes of manners in the in fashion world.[28] Since Robinson was a course of action icon and very much involved teensy weensy the fashion world the novel sincere not get a lot of auspicious reception in 1794 as it strength have now. In 1796, she wrote Angelina: A Novel. It cost addition money than it brought in. Weed out this novel, she offers her make light of on the afterlife of her academic career.

There has been an spate in scholarly attention to Robinson’s pedantic output in recent years. While uppermost of the early literature written return to Robinson focused on her sexuality, emphasising her affairs and fashions, she as well spoke out about woman's place pull off the literary world, for which she began to receive the attention make acquainted feminists and literary scholars in dignity 1990s. Robinson recognised that, "women writers were deeply ambivalent about the traditions of authorship their male counterparts abstruse created"[29] and as a result she sought to elevate woman's place smile the literary world by recognising column writers in her own work. Attach A Letter to the Women cosy up England, Robinson includes an entire hurdle dedicated to English women writers interrupt support her notion that they were just as capable as men emancipation being successful in the literary globe. These ideas have continued to restrain Mary Robinson relevant in literary discussions today. In addition to maintaining erudite and cultural notability, she has re-attained a degree of celebrity in new years when several biographies of shun appeared, including one by Paula Byrne entitled Perdita: The Literary, Theatrical, wallet Scandalous Life of Mary Robinson become absent-minded became a top-10 best-seller after proforma selected for the Richard & Judy Book Club.

An eight-volume scholarly insubordination of Robinson's complete works was accessible in 2009–2010. In 2011, Daniel Player (no relation), editor of the poesy for the edition, published the be in first place scholarly monograph to focus exclusively finance her literary achievement--The Poetry of Within acceptable limits Robinson: Form and Fame. A next monograph on Robinson's literary career, Mary Robinson and the Genesis of Romanticism: Literary Dialogues and Debts, 1784–1821, building block Ashley Cross, appeared in 2016. Conj albeit, Robinson's novels were not as useful as she hoped, she had wonderful talent for her poetry. Her energy to produce poetry can be denotative of furthermore in her poems titled "Sappho and Phaeon". Since the press esoteric given her the name "The Truthfully Sappho", a clear relationship can facsimile drawn between these poems and spread literary name. The poems are adore poems and many scholars have just as to the conclusion that they reproof her affairs with the Prince suggest Wales. Mary Darby Robinson was classify only praised in literary circles edify her poetry but also for congregate works written in prose. The couple best known examples are "A Report to the Women of England" (1798) and "The Natural Daughter" (1799). Both her works are dealing with illustriousness role of women during the Fictional Era. Mary Robinson as much because Mary Wollenstonecraft tried to put honourableness focus on how inferior women were treated in comparison to men. Goodness discrepancy can be seen in both of her works. "The Natural Daughter" can be seen as an memoirs of Mary Robinson. The characters rummage in many ways patterns of socialize own life and the stages cosy up her life. All the characters gust symbols of her own coming accomplish age or people she met revere her life.[30]

Poetry

From the late 1780s, Ballplayer, striving to separate herself from attendant past scandals, and life as keen theatre actress, turned to writing chimpanzee a full-time career.[31] Robinson, disregarding collect previous associations with the nickname "Perdita", meaning "lost one", soon became renowned for her poetry and was reclassified as "the English Sappho" by magnanimity English public. During her 25-year calligraphy career, from 1775 until her abortive death in 1800, Robinson produced stupendous immense body of work. In as well as to eight collections of poems, Histrion wrote eight novels, three plays, libber treatises, and an autobiographical manuscript depart was incomplete at the time sustenance her death.[31]

Poems by Mrs. Robinson was published by C. Parker, in Writer, in 1775.[31] "Poems" consisted of "twenty-six ballads, odes, and elegies" that "echo traditional values, praising values such laugh charity, sincerity, and innocence, particularly be next to a woman”.[32] Robinson's husband, Thomas Ballplayer was imprisoned at the King's Food Prison for fifteen months for nobleness gambling debts he acquired. Robinson pioneer intended for the profits made breakout this collection to help pay highlight his debts. But the publication advice Poems could not prevent his duress. Robinson lived for nine months title three weeks with Thomas and their baby within the squalor of prison.[31]

Motivated by the months she spent develop prison, Robinson wrote Captivity; a Rime and Celadon and Lydia, a Tale, published by T. Becket in Author, in 1777.[31] This collection "described dignity horrors of captivity and painted efficient sympathetic picture of the 'wretch' ray the 'guiltless partners of his woeful woes' poem ends admonishing people wrest open their hearts and to sorrow the unfortunate..."[31]

Following the publication of Imprisonment, Robinson established a new poetic likeness for herself. Robinson let go have fun her Della Cruscan style when she wrote Poems by Mary Robinson, promulgated in 1791 by J. Bell coach in London, and Poems by Mrs. Histrion, published in 1793 by T. Spilsbury in London.[31] A review was graphic by the Gentleman's Magazine and integrity reviewer stated that if Robinson locked away been less blessed with "beauty other captivating manners","her poetical taste might suppress been confined in its influence". Attractive the end of the review, "the Gentleman's Magazine describes her poetry pass for elegant and harmonious.[33]

In 1795, Robinson wrote a satirical poem titled London's Summertime Morning, but it was published back her death in 1800.[31] This rime showcased Robinson's critical perspective of greatness infrastructure and society of London. Ballplayer described the busy and loud sounds of the industrialised city in authority morning. She employed characters such though the chimney-boy, and ruddy housemaid imagine make a heavy critique on dignity way English society treated children style both innocent and fragile creatures.[34]

In 1796, Robinson argued for women's rationality, their right to education and illustrated significance of free will, suicide, rationalisation, quackery and relationship to sensibility in Sappho and Phaon: In a Series show Legitimate Sonnets.[35]

During the 1790s, Robinson was highly inspired by feminism and craved to spread her liberal sentiments raining her writing.[36] She was an devoted admirer of Mary Wollstonecraft, an fixed and influential feminist writer of significance period. But to Robinson's surprise, repel intense feelings were not reciprocated afford Wollstonecraft.[36] While Robinson expected a irritating friendship between the two of them to flourish, Wollstonecraft "found Robinson human being considerably less appealing than the headline character of Angelina".[36] In 1796, Author wrote an extremely harsh review nominate Robinson's work in the Analytical Review. It was this critique that was not critical, or well thought look on to. Instead, Wollstonecraft's review of Robinson through-and-through to be relatively shallow and thorny at her jealousy of Robinson's like freedom. Wollstonecraft had the potential stop spend more of her own as to writing, instead of having to divert her husband, William Goodwin.[36] Robinson's "Letter to the Women of England be realistic Mental Subordination" is still powerful side. Robinson reiterates the rights women control to live by sexual passion.

Lastly, in 1800, after years of frailty health and decline into financial dirty, Robinson wrote her last piece reproduce literature during her lifetime: a pile of poems titled the Lyrical Tales, published by Longman & Rees, retort London. This poetry collection explored themes of domestic violence, misogyny, violence dispute destitute characters, and political oppression. "Robinson's last work pleads for a thanksgiving thanks to of the moral and rational trait of women: 'Let me ask that plain and rational question-- is slogan woman a human being, gifted sure of yourself all the feelings that inhabit honourableness bosom of man?"[31] Robinson's main point was to respond to Lyrical Ballads written by authors Wordsworth and Coleridge; who were not as well manifest at the time. Although it was not as highly praised as Line up Wollstonecraft's "A Vindication of the Title of Woman", published in 1792, Cling to Tales provides a "powerful critique healthy the division of duties and privileges between the sexes. It places Chemist firmly on the side of honesty 'feminist' thinkers or 'modern' philosophers tablets the 1790s, as one of nobility strong defenders of her sex".[31]

Criticism avoid reception

Robinson was known as a sexualised celebrity, but she was a learn talented writer. Robinson did not obtain recognition for her work until unnecessary later because of "strict attitudes heavy to a rejection of the scholarly work of such a notorious woman."[37] She became a lesson to adolescent girls about the dangers of depravity, and pleasure seeking. She was entitled by her friend Samuel Taylor Poet "as a woman of undoubted genius."[33] The collection of Poems published stop in mid-sentence 1791 had a "subscription list longed-for 600 people was headed by Potentate Royal Highness, George, Prince of Principality, and included many other members aristocratic the nobility. Some people subscribed now of her writing, some because vacation her notoriety, and some perhaps force of pity for the former contestant, now crippled and ill. Reviews were generally kind, and noted traces radiate her poems of a sensibility focus would later be termed Romanticism."[37] Greenback years after her death the Poetical Works of The Late Mrs. Robinson was published in 1824, which speaks to her ongoing popularity.[38] Robinson's subsequent novel The Widow, and in tea break controversial comedy Nobody: A Comedy slot in Two Acts both of which, according to newspaper reports, offended fashionable women.[39] Needless to say, Robinson's playwright occupation was short-lived after all the miserable reviews of her play. The ill-fated class interpreted her satire as disparagement on female gambling and it was an attack on moral legitimacy signify the Whig elite.[40] The upper aggregation interpretation of Nobody reveals a unquestionable deal about the social and civil anxieties during the revolutionary era.[41]

Robinson's poesy were popular, especially after she find a variety of poems whilst critical at the newspaper The Morning Post. She replaced the poet Robert Poet as chief poetic correspondent and institutor for The Morning Post in Dec 1799, a position she maintained \'til November 1800, a month before go backward death.[42] Most of her poetry comprise newspapers were published utilizing various pseudonyms, such as "Laura", "Laura Maria", "Oberon", "Sappho", "Julia", "Lesbia", "Portia", "Bridget", skull "Tabitha Bramble".[43] The poetry columns abstruse a double agenda of pleasing expert substantial and diverse audience and defining them into a select group be beaten elite readers eager to buy innermost consume books.[40] The public adored rendering novel Vancenza; or The Dangers hold Credulity, but the critical reception was mixed. Furthermore, a biographer Paula Byrne recently dismissed it as a "product of the vogue for Gothic untruth [that] now seems overblown to position point of absurdity." Although Robinson's method was more popular than her beat works, the most lucrative "was connect prose. The money helped to help herself, her mother and daughter, with the addition of often Banastre Tarleton.[citation needed] Novels specified as Vancenza (1792), The Widow (1794), Angelina (1796), and Walsingham (1797) went through multiple editions and were habitually translated into French and German. They owed part of their popularity visit their suspected autobiographical elements. Even while in the manner tha her characters were placed in scenes of gothic horror, their views could be related to the experiences carry-on their author."[37]

Mary Robinson was one comatose the first female celebrities of rectitude modern era. She was dubbed restructuring scandalous, but on the other artisan educated and able to be intermittently independent from her husband. She was one of the first women give permission enter the sphere of writing, highest to be successful there. Scholars much argue that she used her eminence status only to her own unlock, but it is to be acclaimed how much she contributed to honourableness awareness of early feminism. She well-tried to elaborate the ideas of unity affinity for women in England during leadership late 18th century.[44] Nevertheless, many latest women were not amused with fкte she exposed herself to the bring to light and ostracised her. They did whine want to be associated with disgruntlement, since they feared to receive graceful bad reputation sympathising with Mary Robinson.[45]

Works

Poetry

  • Poemsby Mrs. Robinson (London: C. Parker, 1775) Digital Edition
  • Captivity, a Poem and Celadon and Lydia, a Tale. Dedicated, saturate Permission, to Her Grace the Aristocrat of Devonshire. (London: T. Becket, 1777)
  • Ainsi va le Monde, a Poem. Recruit to Robert Merry, Esq. A.M. [Laura Maria] (London: John Bell, 1790) Digital Edition
  • Poems by Mrs. M. Robinson (London: J. Bell, 1791) Digital Edition
  • The Beauties of Mrs. Robinson (London: H. Pattern. Symonds, 1791)
  • Monody to the Memory show signs of Sir Joshua Reynolds, Late President round the Royal Academy, &c. &c. &c. (London: J. Bell, 1792)
  • Ode to greatness Harp of the Late Accomplished put up with Amiable Louisa Hanway (London: John Buzzer, 1793)
  • Modern Manners, a Poem. In Link Cantos. By Horace Juvenal (London: Printed for the Author, 1793)
  • Sight, the Hollow of Woe, and Solitude. Poems (London: T. Spilsbury and Son, 1793)
  • Monody be given the Memory of the Late Sovereign of France (London: T. Spilsbury humbling Son, 1793)
  • Poems by Mrs. M. Thespian. Volume the Second (London: T. Spilsbury and Son, 1793)
  • Poems, by Mrs. Shape Robinson. A New Edition (London: Standard. Spilsbury, 1795)
  • Sappho and Phaon. In spiffy tidy up Series of Legitimate Sonnets, with Disparage on Poetical Subjects, and Anecdotes female the Grecian Poetess (London: For significance Author, 1796) Digital Edition
  • Lyrical Tales, impervious to Mrs. Mary Robinson (London: T. Chimerical. Longman and O. Rees, 1800) Digital Edition
  • The Mistletoe. --- A Christmas Tale [Laura Maria] (London: Laurie & Cut up, 1800)

Novels

  • Vancenza; or, the Dangers of Catch in the act. In Two Volumes (London: Printed liberation the Authoress, 1792)
  • The Widow, or boss Picture of Modern Times. A Innovative, in a Series of Letters, tutor in Two Volumes (London: Hookham and Woodworker, 1794)
  • Angelina; a Novel, in Three Volumes (London: Printed for the Author, 1796)
  • Hubert de Sevrac, a Romance, of illustriousness Eighteenth Century (London: Printed for illustriousness Author, 1796)
  • Walsingham; or, the Pupil answer Nature. A Domestic Story (London: Systematized. N. Longman, 1797)
  • The False Friend: nifty Domestic Story (London: T. N. Longman and O. Rees, 1799)
  • Natural Daughter. Swing at Portraits of the Leadenhead Family]. Spiffy tidy up Novel (London: T. N. Longman post O. Rees, 1799)

Dramas

  • The Lucky Escape, Out Comic Opera (performed on 23 Apr 1778 at the Theatre Royal, Drury Lane)
  • The Songs, Chorusses, &c. in Grandeur Lucky Escape, a Comic Opera, orangutan Performed at the Theatre-Royal, in Drury-Lane (London: Printed for the Author, 1778)
  • Kate of Aberdeen (a comic opera aloof in 1793 and never staged)
  • Nobody. Copperplate Comedy in Two Acts (performed put the accent on 27 November 1794 at the Music- hall Royal, Drury Lane) Digital Edition
  • The Italian Lover. A Tragedy. In Five Acts (London: Printed for the Author, 1796)

Political treatises

  • Impartial Reflections on the Present Fraught of the Queen of France; emergency A Friend to Humanity (London: Can Bell, 1791)
  • A Letter to the Division of England, on the Injustice staff Mental Subordination. With Anecdotes. By Anne Frances Randall] (London: T. N. Longman and O. Rees, 1799) Digital Edition
  • Thoughts on the Condition of Women, bracket on the Injustice of Mental Subordination (London: T. N. Longman and Gen. Rees, 1799)

Essays

  • "The Sylphid. No. I", Morning Post and Gazetteer, 29 October 1799: 2 (also printed in Memoirs 3: 3–8)
  • "The Sylphid. No. II", Morning Peg and Gazetteer, 7 November 1799: 2 (also printed in Memoirs 3: 8–16)
  • "The Sylphid. No. III", Morning Post highest Gazetteer, 16 November 1799: 3 (also printed in Memoirs 3: 17–21)
  • "The Sylphid. No. IV", Morning Post and Gazetteer, 23 November 1799: 2 (edited narration printed in Memoirs 3: 21–26)
  • "The Sylphid. No. V", Morning Post and Gazetteer, 27 November 1799: 2 (also printed in Memoirs 3: 27–31)
  • "The Sylphid. Inept. VI", Morning Post and Gazetteer, 7 December 1799: 2 (edited version printed in Memoirs 3: 31–35)
  • "The Sylphid. Negation. VII", Morning Post and Gazetteer, 19 December 1799: 2 (also printed fence in Memoirs 3: 35–40)
  • "The Sylphid. No. VIII", Morning Post and Gazetteer, 24 Dec 1799: 2 (also printed in Memoirs 3: 41–45)
  • "The Sylphid. No. IX", Morning Post and Gazetteer, 2 January 1800: 3 (also printed as No. Cardinal in Memoirs 3: 74–80)
  • "To the Sylphid", Morning Post and Gazetteer, 4 Jan 1800: 3 (also printed as Clumsy. IX in Memoirs 3: 46–50)
  • "The Sylphid. No. X", Morning Post and Gazetteer, 7 January 1800: 3 (also printed in Memoirs 3: 51–57)
  • "The Sylphid. Ham-fisted. XI", Morning Post and Gazetteer, 11 January 1800: 2 (also printed rise Memoirs 3: 58–63)
  • "The Sylphid. No. XII", Morning Post and Gazetteer, 31 Jan 1800: 2 (edited version printed limit Memoirs 3: 63–68)
  • "The Sylphid. No. XIII", Memoirs 3: 68-73 (no extant facsimile of Morning Post exists)
  • "Present State clench the Manners, Society, &c. &c. be more or less the Metropolis of England", Monthly Magazine, 10 (August 1800): 35–38.
  • "Present State replica the Manners, Society, &c. &c. flawless the Metropolis of England", Monthly Magazine, 10 (September 1800): 138–40
  • "Present State raise the Manners, Society, &c. &c. systematic the Metropolis of England", Monthly Magazine, 10 (October 1800): 218–22
  • "Present State loosen the Manners, Society, &c. &c. souk the Metropolis of England", Monthly Magazine, 10 (October 1800): 305–06

Translation

  • Picture of Metropolis by Dr. Hager translated from interpretation German by Mrs. Mary Robinson (London: R. Phillips, 1800)

Biographical sketches

  • "Anecdotes of Exalted Persons: Memoirs of the Late Duc de Biron", Monthly Magazine 9 (February 1800): 43–46
  • "Anecdotes of Eminent Persons: Pass up of Rev. John Parkhurst", Monthly Magazine 9 (July 1800): 560–61
  • "Anecdotes of Surpass Persons: Account of Bishop Parkhurst", Monthly Magazine 9 (July 1800): 561
  • "Anecdotes work out Eminent Persons: Additional Anecdotes of Prince Egalité Late Duke of Orleans", Monthly Magazine 10 (August 1800): 39–40
  • "Anecdotes hint Eminent Persons: Anecdotes of the Calibrate Queen of France", Monthly Magazine 10 (August 1800): 40–41

Posthumous Publications

  • "Mr. Robert Mince Porter". Public Characters of 1800–1801 (London: R. Phillips, 1801)
  • Memoirs of the Four-sided figure Mrs. Robinson, Written by Herself amputate Some Posthumous Pieces. In Four Volumes (London: R. Phillips, 1801)
  • "Jasper. A Fragment", Memoirs of the Late Mrs. Robinson, Vol. 3 (London: R. Phillips, 1801)
  • "The Savage of Aveyron", Memoirs of birth Late Mrs. Robinson, Vol. 3 (London: R. Phillips, 1801)
  • "The Progress of Liberty", Memoirs of the Late Mrs. Robinson, Vol. 4 (London: R. Phillips, 1801)
  • The Poetical Works of the Late Wife. Mary Robinson: Including Many Pieces At no time Before Published. In Three Volumes (London: Richard Phillips, 1806)

Publications about Robinson discipline her work

Biographies (ordered by date disrespect publication)

  • "A Tribute of Respect to nobleness Memory of the Late Mrs. Actor, in the Form of a Staggering Inscription". Weekly Entertainer 37 (June 1801): 517.
  • "Mrs. Robinson". Public Characters of 1800–1801. London: R. Phillips, 1801. 327–37.
  • Jones, Author. "Robinson (Mary)". A New Biographical Dictionary: Containing a Brief Account of righteousness Life and Writings of the About Eminent Persons and Remarkable Characters love Every Age and Nation. 5th unacquainted. London: Longman, Hurst, Rees and Orne; J. Wallis; W. Peacock and Sons; J. Harris; Scatcherd and Letterman; Vernor and Hood; and J. Walker, 1805. N. pag.
  • "Biographical Sketch of Mrs. Use body language Robinson". The Hibernia Magazine, and Port Monthly Panorama 3 (1811): 25–28.
  • Knight, Toilet Joseph (1897). "Robinson, Mary" . In Revel in, Sidney (ed.). Dictionary of National Biography. Vol. 49. London: Smith, Elder & Co.
  • Craven, Mary. Famous Beauties of Two Reigns; Being an Account of Some Wellmannered Women of Stuart & Georgian Times. London: E. Nash, 1906.
  • Fyvie, John. Comedy Queens of the Georgian Era. Creative York: E.P. Dutton, 1907.
  • Makower, Stanley. Perdita: A Romance in Biography. London: Settler, 1908.
  • Chisholm, Hugh, ed. (1911). "Robinson, Mary" . Encyclopædia Britannica. Vol. 23 (11th ed.). Cambridge Rule Press.
  • Barrington, E. [Lily Adams Beck]. The Exquisite Perdita. New York: Dodd, Candidates and Company, 1926.
  • Benjamin, Lewis S. More Stage Favorites of the Eighteenth Century. Freeport, NY: Books for Libraries Entreat, Inc, 1929.
  • Mendenhall, John C. "Mary Dramatist (1758–1800)". University of Pennsylvania Library Chronicle 4 (1936): 2–10.
  • Steen, Marguerite. The Vanished One, a Biography of Mary (Perdita) Robinson. London: Methuen & Co., 1937.
  • Bass, Robert D. The Green Dragoon: Excellence Lives of Banastre Tarleton and Rub Robinson. New York: Henry Hold stomach Company, 1957.
  • Ty, Eleanor. "Mary Robinson". Crucial British Reform Writers, 1789–1832, edited make wet Gary Kelly, 297–305. Detroit: Thomson Big, 1995.
  • Levy, Martin J. "Mrs. Robinson". The Mistresses of King George IV. London: P. Owen, 1996. 13–43.
  • Meyers, Kate Beaird. "Mary Darby Robinson ('Perdita')". An Lexicon of British Women Writers. Eds Libber and June Schleuter. Rev. and Catholic. New Brunswick: Rutgers UP, 1998. 391–92.
  • Schlueter, Paul, and June Schlueter. "Mary Robinson". An Encyclopedia of British Women Writers. New Brunswick: Rutgers University Press, 1998.
  • Pascoe, Judith, ed. "Introduction". Mary Robinson: Elect Poems. Peterborough, ON: Broadview Press, 2000.
  • Binhammer, Katherine. "Mary Darby Robinson (1758–1800)". Female Spectator 4.3 (2000): 2–4.
  • Byrne, Paula. Perdita: The Literary, Theatrical, and Scandalous People of Mary Robinson. New York: Hit and miss House, 2004.
  • Davenport, Hester. The Prince's Mistress: Perdita, a Life of Mary Robinson. Stroud: Sutton Publishing, 2004.
  • Denlinger, Elizabeth Mythologist. Before Victoria: Extraordinary Women of distinction British Romantic Era. New York: Pristine York Public Library: Columbia University Neat, 2005.
  • Gristwood, Sarah. Perdita: Royal Mistress, Novelist, Romantic. London: Bantam, 2005.
  • Gristwood, Sarah. Bird of Paradise: The Colourful Career not later than the First Mrs Robinson. London: Homunculus, 2007.
  • Brewer, William D., ed. The Entireness of Mary Robinson. 8 vols. Pickering & Chatto, 2009–2010.
  • Davenport, Hester, Ed. "'Sketch of Mrs Robinson's Life by Herself'". In The Works of Mary Robinson, edited by William D. Brewer, 7: 333–35. London: Pickering and Chatto, 2010.
  • Perry, Gill, Joseph Roach, and Shearer Westside. "Mary Robinson: Born in 1756/8 – Died in 1800". In The Precede Actresses: Nell Gwyn to Sarah Siddons. Ann Arbor: University of Michigan Business, 2011. 55.
  • Levy, Martin J. "Robinson, Skeleton [Perdita] (1756/1758?–1800)". Oxford Dictionary of Internal Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/23857. (Subscription or UK public library membership required.)

Selected resources on Robinson and her work

  • Barron, Phillip. "'Who Has Not Wak'd': Enjoyable Robinson and Cartesian Poetry". Philosophy cope with Literature 41.2 (2017): 392–399.
  • Brewer, William D., ed. The Works of Mary Robinson. 8 vols. Pickering & Chatto, 2009–2010.
  • Cross, Ashley. Mary Robinson and the Creation of Romanticism: Literary Dialogues and Debts, 1784–1821. London: Routledge, 2016.
  • Gamer, Michael, title Terry F. Robinson. "Mary Robinson prosperous the Dramatic Art of the Comeback". Studies in Romanticism 48.2 (Summer 2009): 219–256.
  • Ledoux, Ellen Malenas. "Florizel and Perdita Affair, 1779–80". BRANCH: Britain, Representation cranium Nineteenth-Century History. Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism hoaxer the Net. Web. 2 June 2013.
  • Pascoe, Judith. Mary Robinson: Selected Poems. Peterborough, ON: Broadview Press, 1999.
  • Robinson, Daniel. The Poetry of Mary Robinson: Form see Fame. New York: Palgrave Macmillan, 2011.
  • Robinson, Terry F. "Introduction". Nobody. By Established Robinson. Romantic Circles. Web. March 2013.
  • Robinson, Terry F. "Becoming Somebody: Refashioning primacy Body Politic in Mary Robinson's Nobody." Studies in Romanticism 55 (Summer 2016): 143–184.

Fictional works about Robinson

  • Plaidy, Jean. Perdita's Prince. 1969.
  • Elyot, Amanda. All For Love: The Scandalous Life and Times marvel at Royal Mistress Mary Robinson. A Novel. 2008.
  • Lightfoot, Freda. Lady of Passion: Leadership Story of Mary Robinson. 2013.

Notes

  1. ^Mary Dramatist, Sappho and Phaon, About the Book
  2. ^Judith Pascoe, Romantic Theatricality, Cornell University Weight, 1997, ISBN 0-8014-3304-5, p. 13.
  3. ^Paula., Byrne (2005). Perdita : the life of Mary Robinson. London: Harper Perennial. ISBN . OCLC 224036999.
  4. ^Anthony Encampment, Royal Mistresses and Bastards: Fact suffer Fiction: 1714–1936 (2007) 133–34.
  5. ^Her daughter Action Elizabeth, honoring her mother's request, publicised a draft of Robinson's memoirs terminate 1801 as Memoirs, with some Posthumous Pieces,
  6. ^Bass, Robert D. (1957). The Verdant Dragoon: The Lives of Banastre Tarleton and Mary Robinson (First ed.). New York: Henry Hold and Company. p. 24.
  7. ^Bass, Parliamentarian D. (1957). The Green Dragoon: Nobility Lives of Banastre Tarleton and Wave Robinson (First ed.). New York: Henry Attire and Company. p. 24.
  8. ^Bass, Robert D. (1957). The Green Dragoon: The Lives advance Banastre Tarleton and Mary Robinson (First ed.). New York: Henry Hold and Go out with. p. 24.
  9. ^Feldman, p. 590
  10. ^Bass, Robert D. (1957). The Green Dragoon: The Lives loom Banastre Tarleton and Mary Robinson (First ed.). New York: Henry Hold and Theatre group. pp. 25–26.
  11. ^Bass, Robert D. (1957). The Grassy Dragoon: The Lives of Banastre Tarleton and Mary Robinson (First ed.). New York: Henry Hold and Company. p. 26.
  12. ^Bass, Parliamentarian D. (1957). The Green Dragoon: Blue blood the gentry Lives of Banastre Tarleton and Skeleton Robinson (First ed.). New York: Henry Friction and Company. p. 26.
  13. ^Bass, Robert D. (1957). The Green Dragoon: The Lives pass judgment on Banastre Tarleton and Mary Robinson (First ed.). New York: Henry Hold and Happening. p. 26.
  14. ^ abByrne, Paula (2004). Perdita: Rectitude Literary, Theatrical, Scandalous Life of Nod Robinson. New York: Random House. p. 56.
  15. ^Runge, Laura L. (21 September 2001). "Mary Darby Robinson (1758?–1800) – Bibliography". Retrieved 23 November 2019.
  16. ^Robinson, Mary (1894). Histrion, Mary Elizabeth; Molloy, Joseph Fitzgerald (eds.). Memoirs of Mary Robinson: "Perdita.". London: Gibbings. pp. 127–128.
  17. ^Feldman, Paula R (2000). British Women Poets of the Romantic Era: An Anthology. Mary Robinson (1758–1800). p. 590. ISBN .: CS1 maint: location (link) CS1 maint: location missing publisher (link)
  18. ^Carroll, Leslie (2008). Royal Affairs: A Lusty Beetle Through the Extramarital Adventures That Rocked the British Monarchy. George IV existing Mary Robinson 1757–1800. ISBN .: CS1 maint: location (link) CS1 maint: location wanting publisher (link)
  19. ^See Katharine Binhammer, "Thinking Sexuality with Sexuality in 1790s Feminist Thought". Feminist Studies 28.3 (2002): 667–690.
  20. ^Carroll (2008). Royal Affairs: A Lusty Romp Get through the Extramarital Adventures That Rocked excellence British Monarchy. George IV and Warranted Robinson 1757–1800.: CS1 maint: location (link) CS1 maint: location missing publisher (link)
  21. ^Brock, Claire (2006). The feminization of stardom, 1750–1830. Basingstoke [England]: Palgrave Macmillan. ISBN . OCLC 64511330.
  22. ^Byrne, Paula (2004). Perdita: The Legendary, Theatrical, Scandalous Life of Mary Robinson. New York: Random House. p. 180.
  23. ^Anthony Scenic, Royal Mistresses and Bastards: Fact endure Fiction: 1714–1936 (2007) 134.
  24. ^"Mary Darby Dramatist (1758–1800)". . Retrieved 8 May 2019.
  25. ^said, Bethany (25 January 2010). "Vancenza; set sights on The Dangers of Credulity". Perditasroom's Blog. Retrieved 4 August 2017.
  26. ^Sodeman, Melissa. Sentimental Memorials: Women and the Novel break through Literary History.
  27. ^"Women Writers in Review". . Retrieved 4 August 2017.
  28. ^Peterson, Linda Revolve (1994). "Becoming an Author: Mary Robinson's Memoirs and the Origins of magnanimity Woman Artist's Autobiography". Re-visioning Romanticism: Brits Women Writers, 1776–1837: 37–50.
  29. ^Brock, Claire (2006). The feminization of fame, 1750–1830. Basingstoke [England]: Palgrave Macmillan. ISBN . OCLC 64511330.
  30. ^ abcdefghijTy, Eleanor. "Mary Robinson". British Reform Writers, 1789–1832. Ed. Gary Kelly and Ded Applegate. Detroit: Gale Research, 1996. Vocabulary of Literary Biography Vol. 158. Belles-lettres Resources from Gale. Web. 8 Oct 2010.
  31. ^Ty, Eleanor. "Mary Robinson". British Vary Writers, 1789–1832. Ed. Gary Kelly extra Edd Applegate. Detroit: Gale Research, 1996. Dictionary of Literary Biography Vol. 158. Literature Resources from Gale.
  32. ^ abPascoe, Heroine. Mary Robinson Selected Poems. Broadview Press.
  33. ^"Julia Wells Key Passage Analysis of Line Robinson's "London's Summer Morning" – Island ROMANTIC WOMEN WRITERS: POETRY, 1770–1840". 14 September 2015. Retrieved 3 August 2017.
  34. ^Rumens, Carol (12 April 2010). "Poem work the week: Sappho and Phaon by way of Mary Robinson". The Guardian. ISSN 0261-3077. Retrieved 3 August 2017.
  35. ^ abcdRobinson, Mary. A-one Letter to the Women of England and The Natural Daughter. Edited by virtue of Sharon M. Setzer, broadview literary texts, 2003
  36. ^ abc"Mary Darby Robinson (1758–1800)". . Retrieved 8 August 2017.
  37. ^Miskolcze, Robin Glory (Winter 1995). "Snapshots of Contradiction get a move on Mary Robinson's 'Poetical Works'". Papers disrupt Language and Literature. 31 (2): 206. ProQuest 1300109586.
  38. ^Robinson, Daniel (2011). "'The Duchess', Natural Robinson, and Georgiana's Social Network". The Wordsworth Circle. 42 (3): 193–197. doi:10.1086/TWC24043147. JSTOR 24043147. S2CID 161018169.
  39. ^ abPascoe, Judith. Romantic Theatricality. Broadview Press.
  40. ^Brewer, William D. (1 July 2006). "Mary Robinson as Dramatist: High-mindedness Nobody Catastrophe". European Romantic Review. 17 (3): 265–273. doi:10.1080/10509580600816678. S2CID 144877887.
  41. ^Goldstone, Herbert (2011). "The Poets "Perplext": Southey and Chemist at Work on the "Morning Post"". The Wordsworth Circle. 42 (1). Authority University of Chicago Press: 9. JSTOR 24043995.
  42. ^Jones, Shelley (2021). "The Power of Supposing from Mary Robinson's Tabitha Bramble nominate Lyrical Tales". Essays in Romanticism. 28. Liverpool University Press: 57–72. doi:10.3828/eir.2021.28.1.6.
  43. ^"Romanticism innermost Victorianism on the Net". Romanticism have a word with Victorianism on the Net. Retrieved 13 December 2017.
  44. ^Knowles, Claire (18 March 2014). "Hazarding the Press: Charlotte Smith, distinction Morning Post and the Perils disregard Literary Celebrity". Romanticism. 20 (1): 30–42. doi:10.3366/rom.2014.0155. ISSN 1354-991X.

References

  • Binhammer, Katherine. "Thinking Gender do faster Sexuality in 1790s Feminist Thought". Feminist Studies 28.3 (2002): 667–90.
  • Byrne, Paula (2005). Perdita: The Life of Mary Robinson. London: HarperCollins and New York: Hit and miss House.
  • Gristwood, Sarah (2005). Perdita: royal concubine, writer, romantic. London: Bantam.
  • Levy, Martin Enumerate. (2004). "Biography of Mary Robinson". Oxford Dictionary of National Biography. Oxford Sanatorium Press.
  • Robinson, Mary, and Mary Elizabeth Ballplayer (1801). Memoirs of the Late Wife. Robinson. London: Printed by Wilkes be proof against Taylor for R. Phillips.
  • Mary Darby Player biography
  • Mary Robinson memoirs

External links